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In Legacy, Dulk presents an ominous carnival, a brightly hued universe of ecological disasters and totemic portents. Though aspects of the grotesque darken them, the world’s Dulk stages are governed by an imaginative innocence and a desire to unify rather than to divide. The most innocent appeal to love of all, the heart, appears throughout his imagery amidst the implicit violence of the skulls, the targets, and the arrows. A philosophic onism lurks in the multiplicity and infinite interconnectedness imagined by Dulk, a world of artistic albeit absurd biologies that urge us to take heed before it is too late.

 

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